Finally here are the videos of Coca-Cola TV “Sounds of the world, Argentina!” I had a great time working with Andres Ibañez and Domingo Ortiz from StereoSonique Films on this project. Enjoy!
Finalmente acá están los videos de Coca-Cola TV “Sonidos del mundo, Argentina!” La pase muy bien trabajando junto a Andrés Ibáñez y Domingo Ortiz de StereoSonique Films en este proyecto. Disfrútenlos!
This week I was working in the local production of “Sounds of the World – Buenos Aires” a project created by StereoSonique Films together with Coca-Cola and Televisa to present the major cities in Latin America through its most representative images and sounds.
With an extensive tour we were able to capture all the diversity, large parks and the streets filled with buses, the old world cafes, colonial architecture, the tango, fun outdoor markets and the hectic pace of the most visited city in South America.
Stay tuned, we will be able to watch it soon!
The Academy of Motion Picture Arts and Sciences’ Nicholl Fellowships in Screenwriting competition has received a record 7,197 entries for 2012 from 66 countries, and the only screenplay submitted from Argentina is mine!
Wish me luck!
Click here to visit the interactive map of submissions by country.
La Nicholl Fellowships in Screenwriting competition de la Academy of Motion Picture Arts and Sciences recibió un record de 7,197 entradas para este 2012 de 66 países, y el único guion que se presento desde Argentina es el mio!
Denme suerte!
Haga clic aquí para visitar el mapa interactivo de las presentaciones por país.
Here it is Bianca Wu‘s first music video of the four we shot in Buenos Aires. Enjoy!
Aqui esta el primero de los cuatro video clips de Bianca Wu que grabamos en Buenos Aires. Disfrutenlo!
Look what I found! This is the trailer of the Italian film we shot in Argentina in 2008. Directed by Alberto Simone and starring Lorenza Indovina and David Coco. Originally the title was “La luce nel cuore”. It was a movie made for Television and only broadcasted in Italy by Rai, so I was not able to watch it. But today I found the trailer, and well … here you have it, better late than never!
Miren lo que encontré! Es el trailer de la película Italiana que filmamos en Argentina en el 2008. Dirigida por Alberto Simone y protagonizada por David Coco y Lorenza Indovina. Originalmente el titulo fue “La luce nel cuore”. Fue una película para la TV que solo se emitió en Italia por Rai, por lo que nunca pude verla. Pero casualmente hoy encontré el trailer, y bueno… Acá lo tienen, mas vale tarde que nunca!
Yesterday, I was 1st Assistant Director on the set of the renowned artist Leon Gieco’s new music video, with whom it has been a pleasure to work with. It was a hard shooting day involving more than 40 artists of the Latin American dance and music, among others. The video corresponds to the song “Hoy bailare” from his latest album entitled “El desembarco”. It was filmed entirely in studio in the city of Buenos Aires and directed by the brothers Mariano and Eric Dawidson.
Now we just have to wait for the premiere!
Ayer estuve como 1er Ayudante de Dirección en la filmación del nuevo video clip del reconocido artista Leon Gieco, junto a quien ha sido un gusto poder trabajar. Fue una jornada ardua en la que participaron más de 40 artistas de la danza y la música latinoamericana, entre otros. El video corresponde a la canción “Hoy bailare” de su último disco titulado “El desembarco”. Fue filmado enteramente en estudio en la ciudad de Buenos Aires y dirigido por los hermanos Mariano y Eric Dawidson.
Ahora solo queda esperar el estreno!
I haven’t written about my work for a while. So… what have I been doing for the past year and a half? Well… I’ve been writing a screenplay, and I became so involved with it that it took up almost all of my time.
This is my first original feature film screenplay, and I have had a great time writing it. It’s been very hard work, but I am happy to say that I am right now finishing the final draft.
It’s a Fantasy Adventure for children, and I am very proud of it!
No he escrito acerca de mi trabajo por un tiempo. Entonces… ¿Qué he estado haciendo durante el último año y medio? Bueno… he estado escribiendo un guión, y me involucre tanto con el que ocupó casi todo mi tiempo.
Este es mi primer guión original cinematográfico, y lo pase genial escribiéndolo. Ha sido un trabajo muy duro, pero estoy feliz de decir que estoy en este momento terminando el borrador final.
Es una aventura fantástica para niños y estoy muy orgullosa de él!
I recently read an article by Elliot Grove, and I have to say that he gives an excellent advice.
We know that the film industry markets movies by genre. To make it as a successful screenwriter, one needs to specialize in a mix of genres. However, so too all filmmakers need to use the tool of genre to distinguish themselves from their competitors. Where writers have the 10 key dramatic genres to help them get noticed, filmmakers have no such help – this is where the use of personal genre becomes paramount.
So click here if you want to access the 10 magic steps to creating that personal genre.
Have you ever wondered where to go after the first draft?
Then, read this article I found on Alex Epstein‘s blog Complications Ensue. It will help you answer the two questions to ask yourself before going onto the second draft. And will also make you realize that there is no such thing as a second draft, because every draft is a first draft, until you shoot it.
¿Te has preguntado a dónde ir después de la primera versión de tu guion?
Entonces, lee este artículo que encontré en el blog de Alex Epstein Complications Ensue. Te ayudará a responder las dos preguntas que debes hacerte antes de pasar al segundo borrador. Y también te hará ver que no hay tal cosa como un segundo borrador, porque cada versión será un primer borrador, hasta que lo filmes.
image from http://www.empireonline.com
This blog is to discuss about filmmaking and present my work as well as my colleagues'. On the tab, you can find my bio and three short films that I wrote and directed. You can also watch my SHOWREEL. 
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